Transfer-box 98
Contains 29 Results:
Narbeth, Colin. Cigarette Cards.
Consists of editorial, production and publicity files for approximately 2000 books published by this London firm. Includes correspondence with Jean Rhys, Stevie Smith, Timothy Mo, and V.S. Naipaul, among many others. Also represents a great deal of the work of Deutsch editor Diana Athill who influenced women's writing in Britain.
Nash, Ogden. The Old Dog Barks Backwards.
Consists of editorial, production and publicity files for approximately 2000 books published by this London firm. Includes correspondence with Jean Rhys, Stevie Smith, Timothy Mo, and V.S. Naipaul, among many others. Also represents a great deal of the work of Deutsch editor Diana Athill who influenced women's writing in Britain.
Nash, Ogden. I Wouldn't Have Missed It.
Consists of editorial, production and publicity files for approximately 2000 books published by this London firm. Includes correspondence with Jean Rhys, Stevie Smith, Timothy Mo, and V.S. Naipaul, among many others. Also represents a great deal of the work of Deutsch editor Diana Athill who influenced women's writing in Britain.
Nash, Ogden. The Animal Garden.
Consists of editorial, production and publicity files for approximately 2000 books published by this London firm. Includes correspondence with Jean Rhys, Stevie Smith, Timothy Mo, and V.S. Naipaul, among many others. Also represents a great deal of the work of Deutsch editor Diana Athill who influenced women's writing in Britain.
Nash, Ogden. Cruise of the Aardvard.
Consists of editorial, production and publicity files for approximately 2000 books published by this London firm. Includes correspondence with Jean Rhys, Stevie Smith, Timothy Mo, and V.S. Naipaul, among many others. Also represents a great deal of the work of Deutsch editor Diana Athill who influenced women's writing in Britain.
Nash, Ogden. A Penny Saved Is Impossible., 1982
Consists of editorial, production and publicity files for approximately 2000 books published by this London firm. Includes correspondence with Jean Rhys, Stevie Smith, Timothy Mo, and V.S. Naipaul, among many others. Also represents a great deal of the work of Deutsch editor Diana Athill who influenced women's writing in Britain.
Nash, Ogden. Custard the Dragon.
Consists of editorial, production and publicity files for approximately 2000 books published by this London firm. Includes correspondence with Jean Rhys, Stevie Smith, Timothy Mo, and V.S. Naipaul, among many others. Also represents a great deal of the work of Deutsch editor Diana Athill who influenced women's writing in Britain.
Nash, Ogden. There's Always Another Windmill.
Consists of editorial, production and publicity files for approximately 2000 books published by this London firm. Includes correspondence with Jean Rhys, Stevie Smith, Timothy Mo, and V.S. Naipaul, among many others. Also represents a great deal of the work of Deutsch editor Diana Athill who influenced women's writing in Britain.
Nash, Ogden. Bed Riddance.
Consists of editorial, production and publicity files for approximately 2000 books published by this London firm. Includes correspondence with Jean Rhys, Stevie Smith, Timothy Mo, and V.S. Naipaul, among many others. Also represents a great deal of the work of Deutsch editor Diana Athill who influenced women's writing in Britain.
National Dance Theatre. Roots and Rythyms., 1969
Consists of editorial, production and publicity files for approximately 2000 books published by this London firm. Includes correspondence with Jean Rhys, Stevie Smith, Timothy Mo, and V.S. Naipaul, among many others. Also represents a great deal of the work of Deutsch editor Diana Athill who influenced women's writing in Britain.