Hemingway, Ernest, 1899-1961

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Plaza de Toros de Valencia Resena Historica gui del Visitante Mused Taurino. 1929. Press cutting in reference to Mae Marsh tipped in.

Ticket to a Salamanca bullfight.

El Cobarde Marcial.

La Fiesta Nacional O Analisis Moral Y Social de las Corridas de Toros. Claudio Sousa. 1928. Engraver's proof of a photographic reproduction picturing 2 matadors.

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To Ernest Hemingway. Inter office correspondence which reads: Talk to me about a department to be called "What Uncle Sam is doing for his nephews and nieces." 1s.

To Ernest Hemingway. Make a little story called "500 for One Acre of Land" out of this.

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(Modern Workshops). Receipt.

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To Ernest Hemingway. Rejection notice.

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To Ernest Hemingway. Invitation to join the club. Typed and signed letter, 1s; club booklet for Jan 1931.

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Reprint of an excerpt from an article to be published in Cahiers D'Art. Used here as an introduction to the Joan Miro Exhibit catalogue. Pierre Matisse Gallery, New York City. Also the title of a Miro painting within Hemingway's private collection.

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Philip Young and Charles W. Mann. Galley proof; photostat of a draft fragment [introduction]; Hemingway biographical information; 9p.

Scope and Contents From the Collection: Series 1: Consists of 62 handwritten, typed or carbon copy typed letters, postcards, and telegrams to and/or from Hemingway and correspondents such as: the American Red Cross (to the French Consul in reference to Hemingway's appointment as an ambulance driver on the Italian front during WWI); publishers Curtis Brown Ltd., Jonathan Cape Limited, and A. P. Watt & Son; Marcel Duhanel, Ethel Feutress Gardner (to Grace Hall Hemingway, Ernest Hemingway's mother), Carol Hemingway, Guy Hickock,...

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A Wyoming painter to Ernest Hemingway. Bill for lodging and hunting.

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Advance galley proofs.