Showing Collections: 1 - 10 of 13
Alexandre Hogue papers
Helen E. and Homer E. Britzman collection of Charles Russell, 1902-1938
Jim McCormick collection of University of Tulsa student art prints, 1957-1959
A collection of 6 matted black and white lithographs by former TU student Jim McCormick and 6 matted black and white lithographs and one matted black and white serigraph by former TU student Layman Jones. Sizes range from 18 3/4 x 16 in.
John S. Tomer collection of bird prints, Undated
This collection remains in process.
Merlin Holland collection of Peter Forster's De Profundis color woodblock prints, approximately 1991-2011
Peter Forster's color prints and masks of the image "Awful Brevity" used in the 1991 Folio Society edition of Oscar Wilde's De Profundis. The prints serve as an illustrative example of the printmaking process.
Milton Glaser graphic design posters, 1985-2009
Robert B. Pickering manuscripts
Typescript drafts for Seeing the White Buffalo; typescript draft for The Visual Guide to Occidente Shaft Tomb Ceramic Figures plus a mock-up of the hardcover edition of Shaft Tombs and Figures in West Mexican Society: A Reassessment; and typescripts and images for Peace Medals: Negotiating Power in Early America, a Gilcrease Museum catalog with several contributors including Robert Pickering.
Typescripts, color prints of digital images, mock-up of a hardbound book.
Tulsa Art Deco archive, 1977-1981
William Edwin Rudge lithographs, approximately 1930
Color lithographic portraits, one each of Herman Melville, Stephen Crane, and Edgar Allan Poe; the Poe portrait was executed and signed in pencil by Ferdinand Huszti Horvath. All were printed by William Edwin Rudge. Each print measures 55.5 x 47.7 cm.
It is uncertain as to whether these were printed by Grandfather William Edwin Rudge or by his son, also named William Edwin Rudge.