Graves, Robert, 1895-1985

"Your comments about EPilogue are of great value to bibliographers. I am puzzled, however, about No Decency Left."

"Dear Friend: Here are the papers duplicated so far for the MLA seminar on Laura Riding and Robert Graves. As you can see, only the papers on Riding are in this packet."

"My book is to be a general history of private presses, covering the whole field from the 15th century onwards, and so my account of Seizin will necessarily be brief. I have typed out the passages which relate to the Press, and these are on the attached sheets."

"...I shall still be very grateful for the help you have given me in putting my brief account of the Seizin Press into better shape. You are quite right in suggesting that I should have contacted you initially, instead of relying on the Moran-Graves version."

"Lift Boy." Winthrop Rogers Edition, Festival Series of Choral Music. Song for mixed voices with piano accompaniment.

Masopust refers to the Graves and Riding project he discussed with Ellmann; queries Ellmann about the whereabouts of a series of letters between Yeats and Riding concerning the possiblity of including [Graves's] poems in Yeats's Oxford Book of Modern Poetry.

Correspondence and manuscripts of the American poet. Handwritten and carbon copy typescripts.

Correspondence and manuscripts of the American poet. Handwritten and carbon copy typescripts.

"I have been moved by Miss Ruth Padel's review, in your issue of December 26, 1975, of Robert Graves' Collected Poems 1975, to offer as ballast for the balloon-like still-higher lift that Miss Padel endeavors to give what is called 'Graves criticism' with her particular formula of super-heated veneration, two related articles of principle."

Correspondence and manuscripts of the American poet. Handwritten and carbon copy typescripts.